awed-frog:

rhymeswspinach:

just-shower-thoughts:

Maybe medieval people happened upon a T-Rex fossil and came to a relatively logical conclusion that dragons existed.

I’ve read a couple books on this actually, thats exactly what happened. Also cyclops are from looking at bones from a certain type of baby elephant. The giant note hole and tiny eyes made it look like a single eye.

Yep, can confirm! And what’s even funnier to me is that back in the dark ages, Greek people used to find a lot of prehistoric bear skeletons – and those look exactly like human skeletons, except they’re like eight feet tall or something – so they naturally assumed those were the heroes of legend, and made armour and clothes for them and reburied them with the most splendid and sacred religious ceremonies they could think of? Fast forward five centuries, Athens’ all modern and rational, philosophers and scientists aren’t taking any shit from anyone – but the problem is, people will randomly find graves containing giant-ass warriors, so that’s something that can’t be explained away and yeah, demigods were a thing and yeah, they used to be eight feet tall and sorry I don’t make the rules.

epicene-street-light:

epicene-street-light:

i found an old poem i wrote when i was 17 and:

1). god love does make you blind

2). this is like the longest poem ive ever wrote (5 pages)

3). how is it still good after all that time

4). i was talented and probably still am

thanks for the attention, thats all, have a nice evening

heres the first half of said poem:

IN MIST SHE WAS STANDING – I.

dans
son odeur de bois vert

s’élève,
grince et

se
convulse

le
télescope à voir dessus

les
mains savantes

l’érigent

le
souple lien

de
cuir percé

segmente
la lumière

calmes

les
arbres dans

l’air
désespéré

(voici
que l’écran

à
fixer les images

se
laisse imbiber de lumière

à
travers

les
carreaux opaques)

l’interrogatoire

du
plan gravé

de
petits points

en
relief régulier

(par
la pulpe du

sensible
arrêté

encore
presque incertain)

DRAME
(subit)

l’ultime refuge du châssis :

de transparence fine

aux doigts collante

la mince protection plastifiée

roulée impitoyable

condamnée à ne plus recouvrir
qu’elle-même

dans l’ombre, dans

l’autre coin de la chambre

par quelles opérations

de la main lucide

la projection

sera-t-elle matière

(en
faisant tomber

parallèlement

les barrières

peut-être l’idée entraînée

dans la fumée-torpeur

acceptera-t-elle

de se laisser surprendre

– empâter ? –

dans la couleur

au contact luisant)

se répercutent les ombres

raclant

la
lucide au-delà du
temps

toile

la fumée réduit

la braise

aux dents serrées

***

la brume défie sa création

entre rayons d’ombre

et rails obstinés

danse

penchée attentive

et chassant le criquet

aux reflets inhumains

c’est la mélancolie du premier
jour

lorsque le blanc trahit

la nuit

le ciel chancelle

le ciel se plombe

il est livide // il va mourir

le jour livide te cramponne
l’intestin

tu étais protégée alors

dans la nuit imprécise aux
objets vagues

ils se déplaçaient

selon ta voix et ton angoisse

(ô lampe

des chemins creux

la nuit t’étouffe)

dans ton propre combustible

avant que ne s’abatte la nuit
ardente

des criquets du jour

préservez encore un instant

solitude

de ces lieux ennuités

l’intimité

qui se déchire

le blanc se lève et

c’est soudain la brume

tu repenses aux immeubles

à en vouloir vomir

le blanc se lève et

c’est soudain la brume

qui se délite devant toi

comme cet archer trop lâche

bientôt

on te verra

mains savantes

l’artiste nue

alchimise la toile

cet échafaud

Mais (malheur)

tu passeras au large de la brume

et des criquets

de l’angoisse

la brume avait le goût

des poubelles éventrées

d’un homme ivre errant

et de plastique brûlé

LES FLAQUES D’EAU

DÉMULTIPLIENT LES INSTANTS

DÉMULTIPLIENT LE TEMPS

À L’AIDE

à l’aide

… condamnée
à la mine

crissant sur le lin blanc.

II.

mais
l’image d’une barrière

est
encore là depuis toujours

et
tu passes au travers

le
pré humide

il
est du vert dont tu rêvais

et
ses mottes sont molles

comme
de la terre à modeler

les
barrières cependant

certaines
sont tombées

pour
d’autres est le bois entamé

creusé /
ravagé

ÉVIDÉ

car
le bois trop tendre

pourrit
ses fibres

sous
ces climats

facilitant
le commerce et le pâturage

sur
certains

(
– qu’est-ce donc

poteaux
piliers ou colonnes ? –

suspension
des barrières

et
comme leur point central)

sur
certains donc

le
bois s’écarte

comme
troncs

bifides
d’oliviers

scintillants
de gluances

à
décourager les ongles

y
compris les plus noirs

Et
restent tendus

entre
les pitons penchés

tordus
ou effondrés

les
fils

métal
de toutes les peurs

barbelés
de chaque Histoire

les
écarter sans que la

main
trop claire encore ait

dans
sa viande

encore
lisse le tracé

du
fil barbelé

minuscules
bouquets | leurs
pointes guettent

de
fer enroulés           | à tous vents sauf au Sud

l’arrivée
des pillards

de
la boue des cailloux

s’arriment
à tes semelles

que
tu dois subjuguer

comment
les écarter avant tout

comment
s’agirait-il de
t’approcher

tu
ne sais pas encore s’il sont électrifiés

et
ton souffle se cache

au
fond de tes rognons

tu
finis par tenter tu avances une main

que
tu voudrais moins froide plus sûre sereine

accrochant
à tes doigts qu’aucune fée ne craint

la
torsade fleurie de ces métaux rouillés

***

tes
yeux s’abritent au fond de tes orbites

et
la membrane extérieure

sur
laquelle tu peins

des
tableaux monochromes ou abstraits

(aux
couleurs terreuses

n’osant
pas celles trop claires)

et
la membrane extérieure qu’au matin tu repeins

les
abrite en jouant de couleurs en ocelles

vas-tu
passer ta tête

ton
crâne et tes cheveux que tu voudrais plus fins

vas-tu
passer la main tient-elle assez

la
force sous tension des fils barbelés

***

au
lointain l’église  

émerge
de la brume

et
les mains savantes

recouvrent
leur clarté

cocacolacrewneck:

I’m slowly coming to terms with the homophobia I have experienced in my own life and family. I was fooled, as I believe many are, to believe the myth that homophobia can only take form in blatant insults and hatred. I now know that it takes many forms.

My coming out as lesbian was complicated for me due to my history of abuse and compulsory heterosexuality. When I first came out, I told my mother I was bisexual, to which she responded that it “made sense I wanted the farthest thing from him” (my abuser.) and that I would “eventually have to choose men or women.” This is insulting on many levels, not only invalidating my sexuality, but continuing to speak of my life and actions as under the control of my abuser, as well as insulting my character by suggesting I was using my partner and not truly interested in her as an individual. Not to mention how biphobic it is, despite the fact that I do now identify as lesbian, it is obvious that she would not “accept me no matter what” as she claims.

The reaction shocked me. I thought, but my family is sooo accepting!!! I was taught to treat everyone equally, and that gay was ok!!! But what a lie that was. I was taught that gay was okay, sure. But I wasn’t taught this in the scope that I could be gay- or anyone in my family for that matter. I was taught that gay was something you were born knowing, something I wasn’t and couldn’t be. It wasn’t something we really talked about either; it never went further than surface level. Again, “of course we accept it, no questions asked.” But I do have a few questions.

  • Why wasn’t I talked to about homosexuality as a child? Why, when I asked what lesbian meant, was I met with “Where did you hear that?” as if lesbian was a dirty, nasty word a sweet innocent child like me shouldn’t be overhearing or repeating?
  • Why, when I came out, did so many reply that they “always knew” or that it “made sense,” when none had ever spoken to me about it before? Why, when my grandfather called my mother to discuss his suspicions about my sexuality, did neither approach me directly to talk about it?
  • Why did I not know my that my uncle was gay until after he committed suicide? If we all accepted him, supported him, loved him, why did you hide this from your children, and why did he feel he needed to hide it as well?
  • Why, when I was a child, preteen, and teen, at a time I was feeling quite different from the other girls my age, uncomfortable with boys, crushes, and sexuality, quoted over and over again to say “I just don’t like boys” – why was I constantly beraded with questions and messages like “Do you have a boyfriend?” “How many boyfriends do you have?” “Do you have a boyfriend yet?” “You must get so much attention from all the boys at school.” “Which boy do you like? Come on, you have to like someone.”

Please, stop teaching your children that gay is only okay for other people, for men, for gold stars, for adults. Stop teaching your children that gay is okay but should be hidden. Stop being false allies while directly contributing to the culture of compulsory heterosexuality and homophobia. Stop teaching your children that they need to be sexualized. Stop teaching your children that there is something wrong with them if they are not defined by others. Stop equating acceptance with shame.

burrgeoisie:

ignescent:

lokahjarta:

herlobster:

gowns:

lower-income people tend to be “hoarders” and richer people are able to do more “minimalist” living spaces. if u don’t have much, you will hold onto any little thing that comes across your way. you got a new tv, but you still keep the old tv because you know things can break. you keep extra boxes of macaroni and cheese lying around because there will be a week when you don’t have money for groceries. you hold onto your stacks of books and clothes for dear life. those are your assets. physical evidence of where your money’s gone. it’s hard to get rid of it. the bare wall is terrifying when you don’t have much.

Fuck. This makes so much sense and explains so much about me. I must have inherited this from my mum.

so I’d normally put this in the tags but it’s kind of a lot so just reblog this from OP to skip my commentary. But I dogsit for a family who is clearly LOADED. Their house is immaculate. High, vaulted ceilings, wood flooring, two chandeliers in one room. These things are fancy, right ?? I really don’t know, anything that isn’t tile or 30 year old carpet seems fancy to me. It also so… bare. Everything is organized perfectly, they have no excess. Their decor is extravagant and yet minimal – it is carefully and precisely executed. Nothing that doesn’t match the aesthetic sits in their living room. I tried to replicate some of it, but it’s just not possible. I have every book I’ve ever owned, my mom keeps papers upon papers, VHSs in a dresser, how do you just get rid of these things when you know you may not have the opportunity to buy them again? How must it feel to live in such orderly quarters where everything is replaceable?

This really locked into my brain when I was reading one of the declutter your space things and it suggested getting rid of duplicate highlighters and pens. /Pens/. It suggested that you needed one or two working pens, so if you had extra you should get rid of them. That was when I realized minimalist living was /innately/ tied to having spare money, because the idea was, of course you just went out and bought the single replacement thing whenever the first thing broke. You obv. Had the time and money to only ever hold what you needed that moment, because you could always buy more later.

there’s a nice article titled “minimalism is just another boring product wealthy people can buy” by Chelsea Fagan which i feel addressed lots of my problems with minimalism, you can read it [here]

ot3:

listen anyone can call themselves queer if that’s what they want to do that doesnt effect me at all but if you call me a queer person instead of a lesbian or a gay woman i will come to your house and pull out all the copper wiring like i’m de-boning a fish